Bach for Two Plectrum Classical Guitars

I listened to an advance copy of Matthew Hough’s soon-to-be-released CD a few days ago (thanks, Meg!) and liked it. It’s a couple of guys playing Bach on classical guitars, but using flat-picks. It’s a good sound, sort of folksy and friendly, easy-going.

Matthew Hough: Music from the Notebook of Anna Magdalena Bach. He also has the sheet music available.

  • Post category:Uncategorized
  • Post comments:0 Comments

Julian Bream: New Interview on BBC – Dec 23, 2013

Bream with Elliott guitar

In the first of a series of Christmas specials, Sean Rafferty visits guitarist Julian Bream at home in Wiltshire to discuss a lifetime of music making.

At 80 years old, Julian Bream CBE has left a lasting legacy on the world of classical music, he popularised the lute and Elizabethan music and worked closely with composers such as Benjamin Britten, Michael Tippett and Malcolm Arnold to increase the guitar’s repertoire.

Julian talks candidly to Sean about his experiences as a child prodigy, forced to play the piano and cello because the guitar wasn’t considered a “serious” classical instrument and recounts his first experience, as a teenager, sitting in the Wigmore Hall with a pair of binoculars watching the hands of his hero Andres Segovia. Bream describes the anguish he felt while he locked himself in a shepherd’s hut in majorca for 10 days forcing himself to master Britten’s fiendishly difficult Nocturnal and how he offered Malcolm Arnold £30 to write him a concerto – a commission which was fulfilled in a matter of days.

Now at the end of his career and playing no more than a few notes on his guitar, this extended interview is a unique insight into one of Britain’s most important musical figures of the 20th Century.

  • Post category:News
  • Post comments:0 Comments

Daniel Friederich, Luthier

A nice story on Friederich in Orfeo magazine, this time in English. Great photos.

Here’s Kyuhee Park playing the third movement from Brouwer’s Sonata on a Friederich guitar

And Roberto Aussel playing, with fantastic intensity, Yupanqui’s Melodia del Adios on another Friederich: